Showing posts with label Text Effects. Show all posts
Showing posts with label Text Effects. Show all posts

12:16:00 PM

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Decorating Text

design

Creating text and then decorating it is often a daunting task, not knowing what colors to use and how to achieve effective results with the resources you have is often hard to overcome. Keeping your text simple but still having it stand out is an art in itself. Here we learn lots of techniques on decorating text like using textures, brushes and patterns. Pick and mix which techniques you use or just try all of them and end up with an image like this.

Preview of Final Results

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Decorating Text Photoshop Tutorial

Step 1

clip_image006Before we start on the actual image, we first need to create a simple pattern which we will use later. Create a new document with dimensions 20x20px then go edit>preferences>grid... and use these settings. Create a new layer (Shift+Ctrl+N), hide the background layer then set the foreground color to #808080. Now recreate the image shown here using whatever method you feel comfortable with, the polygonal lasso tool is a good choice for what we want to achieve. Now save the pattern by going edit>define pattern, after saving, close this document. When making patterns like this one it is important to make sure that they will repeat when tiled, there are various methods of achieving this like the offset filter, however with a pattern this simple it easy enough just to visualize it.

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Step 2

clip_image008Create a new document, this time with dimensions of 1024x768px then select the gradient tool (G) and open the gradient editor. Click the arrow in the presets box and choose pastels, select the first gradient in this set. Using a linear gradient drag from the bottom of the page to the top, holding Shift to keep it vertical. Lastly change the opacity of this layer to 75%. A gradient is always a strong way to begin a piece like this but does require a texture over it.

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Step 3

clip_image012Here we will create our background texture, first find a simple image of clouds, the one I used can be found here. Copy and paste this image then resize it to fit the page. Next invert the colors (Ctrl+I) and set the blending mode to screen. Now add a bit more depth to the background by doing exactly the same with another image of clouds like this one. When adding a texture to any piece on Photoshop, always experiment with all the blending modes as some will look better than others depending on the texture you use.

Step 4

Before you start on the foreground, a good idea is to set up some swatches that you will use regularly throughout this piece. Double click on the foreground color and create a swatch of these three colors; #b5005e, #39d336, #00baff.

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Step 5

clip_image016Okay now for the text, start by creating a new layer group named 'foreground', it will become clear why we did this later on. Select the text tool (T) and draw a text box that goes from the left of the page to the right. Type your text in then highlight it all and go window>character to bring up the character settings. Use all the same settings as shown here. The reason for the wide character spacing is to allow enough space for the borders we will add.

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Step 6

Right click on the text layer and select blending options and add a drop shadow, outer glow, bevel and emboss, color overlay, pattern overlay and a stroke. Use the settings shown below. You will notice that, although we used the drop shadow and the outer glow, we just mimicked the effect produced by a stroke. The blending options can be very powerful when used in this way so take words like drop shadow as a guideline rather than an instruction.

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Step 7

clip_image034The next few steps will show how to add some goo and drips to the text. Set the foreground color to the purple swatch then create a new layer group named goo directly below the text, still within the foreground group. Create a new layer within this group (Shift+Ctrl+N). Use the line shape tool (U) and create lines like the ones shown here, make some with the weight set at 2px and some with weight at 3px to add some variety.

Step 8

Create a new layer within the goo group. Select the brush tool (B) and use a round brush with a size of 3px and a hardness of 100%. Zoom in to about 400% and draw some droplets at the bottom of each line, also draw some beads of liquid on the line.

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Step 9

clip_image038Create another new layer within the goo group. Using the same brush, decorate the text a little more to achieve a result similar to below. This step can take a few tries to get right but is quite enjoyable at the same time.

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Step 10

If you try Ctrl+clicking on the text layer you will notice that the selection will not include the border around the text, this will become a problem in the next few steps as you will see. The easiest way to overcome this is to first duplicate the text layer then drag it below the original text, now create a new layer directly below the new text layer then select the new text layer and merge it down (Ctrl+E) then name it 'selection'. Now if you Ctrl+click this layer you will notice the selection covers the border of the text and we also still have our original text which can be edited easily.

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Step 11

clip_image044Create a new layer group named lines, this time above the text layer although still in the foreground group. Create a new layer then select the pen tool and draw path, making sure to hold and drag after each point to ensure the path is smooth. Next right click on the path and select stroke path and don't check simulate pressure. The result should be similar to below. On these brushes, using simulate pressure will blend out both ends of the line which is not what we want here.

Step 12

Now select the eraser (E) and use a 100px diameter, 0% hardness and 30% opacity to fade out the end of the line. Also use the blur tool (R) with a similar brush to blur some parts of the line.

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Step 13

Now we will use that layer we created back in step 10 to remove parts of this line accurately. The concept behind this method is to use our selection layer to select all our text then create a new selection manually and intersect these selections, let’s see how it works. clip_image052First Ctrl+click on the selection layer then select the polygonal lasso tool (L) and in the main toolbar change it to intersect mode. Choose a part of the line that you want behind the text then draw round that part of the text then select the layer with the line in it and hit Delete. So in the image here, I want the line to go behind the left part of the 'H', note that I didn’t draw accurately around the 'H' this is because only the parts included in both selections will become our final selection. Continue using this method for other parts of the line to give the impression it weaving in and out of the text.

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Step 14

clip_image056Try adding some more lines using the same method shown in the last three steps. Try also changing the brush size to either 2px or 1px or switching on simulate pressure.

In this example I used a 1px brush with simulate pressure on.

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Here I used our green swatch, again with 1px and simulate pressure on.

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For this effect I used a 2px brush with simulate pressure on and when creating the path, held Shift to get a straight line.

Step 15

clip_image060A quick way to make some random dots is to first select the brush tool, using a 2px hard brush then hit F5 to open the brush editor. Use the same settings as shown here and use the blue swatch we created earlier. For this brush we can drag it, note how the dots will be random and will give different effects depending on how fast you move the cursor.

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Step 16

For this step you will need to have a floral brush set, lots of these can be found here, download one and install it, note that you may need to restart Photoshop after installing it. Create a new group behind the text and in a new layer; use the purple swatch and go wild with these brushes, making them flow from the letters and the lines. My set included some leaves which I dotted around using the green swatch. Using the floral brushes was just an idea, other vector style brushes can give good results too, one which is worth trying is using tree brushes on the top half of the letters.

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Step 17

clip_image069Another nice detail that is simple to make is these blue lines. First create a new layer then select the blue swatch then the brush tool and use an 8px hard brush. Use the pen tool to create a large arc, mine went roughly from the 'H' to the 'O', now stroke the path and make sure simulate pressure is checked. Use the eraser tool to get rid of half of the line and to blend it slightly. I created three of these.

Step 18

Duplicate this layer, with all three lines in it then hit Ctrl+T and rotate the lines roughly 180° then move them to below the text as shown here.

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Step 19

clip_image073The text is looking nice now however the foreground and background are like to separate images at the moment so we will learn a few ways to make them harmonize better. A good way to approach this problem would be to create an in between layer which is kind of half and half and can bridge the gap between foreground and background. Start by creating a new group within the foreground group but below everything else in that group. Create a new layer in this group then go image>apply image then edit>transform>warp and drag only the boxes here to warp the image, make sure that when your warping the image it still covers the entire document or else you will be left with sharp edges.

Step 20

clip_image074Now select this layer then go layer>layer mask>hide all, change the foreground color to white then use a few of the following brushes with medium opacity to unhide some of the content on this layer, make sure the layer mask is selected rather than the layer itself.

1. A grungy brush of any size, this can be a brush you have downloaded or one that comes with Photoshop like the spatter, charcoal or chalk brushes, these work well when used at a larges size and dotted rather than dragged.

clip_image0762. A floral brush of medium to large size. This looks good on a slightly higher opacity brush as well as on low. Never drag these brushes, it just doesn't work.

3. A really good effect can be created when using the pattern stamp tool (s), although it requires a few tries to get it right. Try using the pattern we created earlier and also some of Photoshop's like the checkered one.

Optionally you can repeat these two steps again to add more detail as you are trying to get a fine balance between the foreground and background.

Step 21

clip_image078You will notice with the image we have at the moment, the clouds are only in the background. Let's solve this problem; we have to choices here, we either add more in front of the foreground group or we can take something away from the foreground. I've found that the taking away method produces a more realistic result. However if you have some cloud brushes kicking about feel free to use them but in this image I didn’t. First let’s check where we are at in terms of layers; at the moment you should only have a foreground group, a background group and the white background layer, everything else should be contained within these. In the background group duplicate one of the cloud layers then drag it out of this group and to the very top of the layer stack. Change the blending mode to normal then go select>color range and pick the very darkest part of the image and use the settings shown below, OK. Now you should have a rough selection around the clouds, hide this layer then select the foreground group and in the layers panel click the layer mask button at the bottom.

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Step 22

clip_image082The last step is to add some color adjustments to the whole image. Start by creating a new layer above the foreground group then select the gradient tool and create a gradient like shown here. Use a radial gradient setting an create a blurry circle, go back to the gradient editor and change the color and do this again until you have something that resembles below. Lastly change the opacity of this layer to 50% and the blending mode to color. One last adjust that I save until last is to move that cloud layer that we duplicated to the top of the layer stack, unhide it then change the blend mode to soft light; I'll let you decide on the opacity this layer should be.

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11:51:00 AM

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Retro Text

design

Retro Text and Video Layers Retro text like this looks great but isn't easy to create in Photoshop alone so here we use a mix of Photoshop and Illustrator, raster and vector to create some unique text. The second part of this tutorial explains video layers, something which is relatively new to most people. The final result will be an animated image that could be used for a web header.









Preview of Final Results

Retro text

Retro Text Photoshop Tutorial

This tutorial will kind of be split into two parts, the second part starting at step 19.The first part will cover the creation of the text and then editing this text in Photoshop. The first part will require Adobe Illustrator as well as Photoshop. The second part covers adding the animation in through Photoshop, this will mean you have to have Photoshop CS3 extended version as we will be using video layers. However there is ways round this if you can find a program to convert movie files into animated gifs. Firstly a good idea when starting any project is to think up a color scheme or to find one on the internet, I tend to use this site to find color schemes so for this project I searched for 'retro'. Part of the reason why I wrote this tutorial was because gomedia have released a couple of free sample motion packs which ought to be utilized and for people who don't know how to use them then this is what the tutorial covers. For this I will be using the Hooladanders pack which can be downloaded here.

Step 1

Start by opening Adobe Illustrator, there are two reasons why we want to use Illustrator here rather than Photoshop, firstly we can create vector files which gives us more flexibility when we export things to Photoshop and secondly there are a few nice things we can do in Illustrator which would take a while in Photoshop. Hit Ctrl+N to create a new document, I used a size of 800x600px but this doesn't matter as we are working with images that can be enlarged infinitely. Now hit Ctrl+' to show the grid. Now the default grid should have 8 subdivisions, if yours is different then go edit>preferences>guides & grid and change it. Next click on the view dropdown and make sure snap to grid is checked. Select the rectangle tool and draw a 2x2 rectangle, we will change the fill and stroke in the next step.

Step 2

With your rectangle still selected, go to the main toolbar and change the fill to one of the colors in your color scheme and set it to no stroke like in the image below. If you were wanting an outline round your text you would have to draw a line only at the left and right side of this rectangle for reasons that will become apparent later on.

Step 3

Create four more of these rectangles, each with a different fill and a 1 subdivision space between each.

Step 4

Hit V to use the selection tool then drag a box round all five rectangles then hit F5 to bring up the brushes panel. Inside this click the new brush button and select new art brush. Now change the settings to mimic the ones shown below. It should be fairly obvious why we changed it from a horizontal to a vertical direction.

Step 5

Next I worked out a rough typeface I was going to use, we are not using a real font here but rather, creating a path then stroking it with the brush we created. Below I've shown the path I would make if I wanted to make a P, an F and a C; the red lines being the first path and the green; the second path. From this you should be able to work out roughly how to create any letters. At the moment don't actually do this in Illustrator but maybe sketch out the kind of letters you want. I'll show more details on how I created the letters in RETRO. The main points here were to make most letters 1 major gridline in width and half a major gridline between the letters. Note that on the F, it extends 1 minor gridline below, this is to acount for the extra width from the brush on letters like the C. If this doesn't make too much sense at the moment; don't worry I'll go through a full example in the following steps.

Step 6

First I made a new layer, the plan was to have two layers as I needed two paths for some of the letters. This meant that I could export it to Photoshop as two layers also. We will create all of the first layer (red) then afterwards create the second (green). Hit P to select the pen tool, the pen tool in Illustrator works in the same way as in Photoshop. We don't want any bezier curves so click once at each point and don't drag the mouse. Draw this shape in your document; starting from the lower left point. We have to start at the right end or else the colors wont match up when we add layer 2.

Step 7

Hit V then click on the path and a bounding box should appear. In the main toolbar make sure we have no stroke or fill then just click on our brush in the brushes panel and it should look like the image below. If for example our brush was the wrong size we could click the small button to the left of new brush and change the size but since we set it at 20% already we should be fine.

Step 8

Now for quick bit of maths; go edit>preferences>guides & grid and take note of the 'gridline every:' number, now divide this number by 4, mine was at 72px so I got 18. This number is because we are going to round the corners and want the radius to be equal to two of the minor gridlines; the reason for this is obvious if you look at the examples of the letters I used but if you were to use different letters you could make it more or less rounded. Okay to round the corners, with the leter still selected, go effect>stylize (illustrator)>round corners and set it to the value you calculated.


Do the same for the other letters, so all my paths looked like the image below. You can either do the letters one at a time or create all the paths then add the styles to all of them at the same time. The image below that shows the completed first layer of the letters.

Step 10

Now for the second layer, do exactly the same as for the first, In green is the paths I used for the second layer, I then added the same styling to achieve a result like the one below. Note that here you could always just copy the R to save creating it again. You should have three layers; one with the brush shape in it, another with the first layer of our text (red) which we'll call T1 and another with our second layer of text (green) which we'll call T2.

Step 11

Create a new document in Photoshop; since these are vectors you can make it any size but I used 900x300px as I envisioned it as a good idea for a website header. Now in Illustrator, hide T2 then drag a selection on over the text then copy and paste it into Photoshop as a smart object if possible, if not then paste it as pixels and ignore the next bit. Hit Ctrl+T then change the height and width to 150%. Now do exactly the same with T1, hiding the T1 in Illustrator, then alaign it with the other layer. Below I've only shown one letter but that's only because I'll be demonstrating the techniques on this letter first.

Step 12

Ctrl+click on T1 to make a selection around it. There is a few steps that aren't required for the text I used but you may need to do all steps If you are doing this to a different shape or size of text so I'll show you all the steps then you can work out the shortcuts if you want. Select the polygonal lasso tool then hold Shift to change it to add mode, this will add to the selection we already have. Now draw around the parts of T2 that you want to hide (purple line), one letter at a time. So here I've made this selection which will keep the same curve at the right part of the R by staying within this line then drawing round everything else. The resulting selection is shown below that.


Step 13

Next, with the either the polygonal lasso or the marquee, hold Alt+Shift to change it to intersect mode which will select only the parts included in both selections. Now draw round the part of T2 which you want removed, there's no need to be neat, just draw a box like the one shown in purple. This is so that when we remove it it will only apply to this one letter then we can go on and do the other letters after. Again I've shown the resulting selection below.

Step 14

Now go select>modify>expand and choose 3px as the value. Select the T2 layer and hold Alt and click on the add layer mask button in the layers panel, this will create a layer mask then fill the selection in black, if we were to just click on the layer mask button we would get everything except the selection filled black. Below is what your letter should now look like.

Step 15

Do this for any other letters that have two layers so for mine I had to do it to E.T, Note that after you've refined the selection you don't want want to make another mask so instead select the mask then hit D to reset the foreground and background colors then hit Alt+Backspace to fill the selection black. Alt+Backspace is a shortcut for filling something with the foreground color and is quicker than going edit>fill or Shift+F5.

Step 16

Now you can move certain parts of your text to get the spacing right. Lastly select T2 and hit Ctrl+E to merge it with T1 then right click and convert to a smart object. Below I've shown the finalized text.

Step 17

This next part shows how I created the background and is optional as I'm sure you can think of much more creative thing to use for a background. Well firstly I pasted in an Image of cardboard then desaturated it.


Next I made a very dark radial gradient then set it to 75% multiply.

Step 19

Now go layer>video layer>new video layer from file and choose one of the videos you downloaded. Now go window>animation to bring up the animation panel. You will now have what looks like a histogram of the time, all except one of the layers should have an infinite time, the one that doesn't is your video layer and should be at the top. Move the time slider to the end of this layer, see the image below for reference. You will see that the animation will move, the reason we moved the slider to the end was because if you watch it you will see that the last 10 seconds include every part of the animation.

Step 20

Now hit Ctrl+T to enter free transform mode, a warning should pop up just press convert and it should change to a smart object. Next move, rotate and scle it then put it above part of your text, here I put it above the first R.

Step 21

Now we are going to mask it, I used similar techniques to what we used when masking the letters. Note that when you mask a video layer it does this in every frame. Ctrl+click on the text layer to make a selection then get the polygonal lasso tool out, hold Alt+Shift to go to intersect mode then draw roughly round the part you want to hide behind the letters like shown below; the purple line being the selection I made.

Step 22

Now mask the video layer in exactly the same way as in step 14 and 15. Do this for some other parts of the animation.

Step 23

Right click on the video layer then go blending options, that's right you can add layer styles to a video. Use the settings shown below. Make sure that 'Layer Mask Hides Effects' is checked as this will make the shadow more accurate because the shadow won't follow the layer mask at all. For the color overlay, just select the color that the animation merges into with the eyedropper, so here mine merged into the green line.


Step 24

Do exactly the same with the other two movie files and just copy and paste the layer styles by right clicking on the layers then change the color overlay. They should vaguely resemble the image below.

Step 25

Try now playing your animation by clicking the rewind button then the play button in the animation panel.

Step 26

There's a few things you can do with this file, you could save it as an animated gif, export it to flash or save it as a movie file. Here I saved it as a gif by going file>save for web & devices. Depending on what you want to do with the file you can choose your settings. I knew I was going to upload it to this site so wanted it quite low quality, I also found that by cranking the lossy value up you get a grainy effect and a smaller file, I liked this effect so kept the lossy at about 85% then set the colors to 64. Below I've included my final layers panel and also the unanimated image. You may notice that the colors are different here this is because I added a hue/saturation adjustment layer at the top of the layer stack.

Retro text

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